Entoto Band - Entoto Band

First published in Songlines Magazine issue 188, June 2023.

Entoto Band
Entoto Band
Guitar Globetrotter Recordings (37 mins)

Entoto Band are a Netherlands-based group directed by guitarist Joep Pelt and fronted by Ethiopian singer Helen Mengistu and Eritrean saxophonist and singer Amanyal ‘Million’ Tewelde. Like so many modern Ethio-jazz groups, they are clearly heavily inspired by the classic, timeless Swinging Addis-era sounds, the distinctive pentatonic melody lines and gently loping rhythms. But Entoto Band make those styles their own with thick layers of heavy, dirty funk (powered by Hammond organ and a meaty synth bass) and more subtle references to Cuban music, soul, dub, Afrobeat and even house music, as well as modern Habesha pop.

The use of instrumentation is particularly impressive here. The six-piece group make deft use of multitracking (multiple synth parts at once; Amanyal’s saxophone and synth-aerophone lines becoming a whole horn section) without taking away from any individual’s effort – everyone gets a chance to shine. The rhythm section of synths-drums-percussion is always tight, and always grooves hard, with enough space for the fireworks of whoever is stepping to the plate next.

Entoto Band’s debut record really serves to underline just how epochal original Ethio-jazz scene was, and just how flexible that style can be, that it can still sound so fresh and exciting in so many different contexts while remaining immediately recognisable.

Yalla Miku - Yalla Miku

First published in Songlines Magazine issue 187, May 2023.

Yalla Miku
Yalla Miku
Bongo Joe Records (32 mins)

Bongo Joe is a Geneva-based record label, music shop, café-bar, mission statement and musical philosophy. The new project Yalla Miku is what Bongo Joe would look like if it were also a seven-piece band. With members from Switzerland, Algeria, Morocco and Eritrea, this is the sound of multicultural Geneva.

Influences from rai, Gnawa, Tuareg music and Turkish psychedelia combine inside a cocoon of hip, energetic krautrock and synth pop; Red Sea scales are topped with Maghrebi beats; synths, distorted guitars and theremin conspire with digitally-altered krar, oud, gimbri, bendir and darbuka. Through a tangle of instruments, origins and moving parts, Yalla Miku create a transcontinental sound that coheres well, finding the commonalities in each style and remaining tight in their aims and arrangements.

It’s a successful debut. It absolutely explodes out of the gates with an opening track that demands dance (‘Premier du Matin’), and ends with a gloriously intense near-chaos (‘Suiise’). At its best it is exploratory, engaging and fun. It isn’t always at its best, but it’s usually not far off, and at the end I was sad there wasn’t more – always a good sign. Bongo Joe are a force for good in Geneva and in international music, and Yalla Miku are a great poster child.

Hermon Mehari - Asmara

First published in Songlines Magazine issue 185, March 2023.

Hermon Mehari
Asmara
Kosmos (35 mins)

Jazz trumpeter Hermon Mehari is a Kansas City native based in Paris, but his third album is a reflection of his father’s land of Eritrea. Mehari has only visited the country once when he was five years old, but the memories of that time, and the music and culture of his childhood home, infuse this personal and touching work.

The overwhelming vibe of Asmara is one of freshness. It has something of a spring morning to it. Mehari’s trumpet has such an airy tone that I wouldn’t be surprised if it was actually a flugelhorn, and his ensemble specialises in beautifully light washes of sound without forfeiting any passion or musicality – piano and vibraphone player Peter Schlamb gives a particularly superlative performance.

The Eritrean influences can be felt throughout, but they’re subtle, like hazy memories conjured from a pentatonic passage within a flowing solo or a slightly staggered Red Sea rhythm guiding a composition. It’s only during the two guest turns by Eritrean singer Faytinga that those vapours coalesce into sweet raindrops of nostalgia. Don’t be mistaken, Asmara is a jazz record to its core, and a very solid one at that: a thoughtful exploration of roots and diaspora identity.