I Have No Everything Here
Six Degrees Records (31 mins)
This is a rather hard album to write about, as the quality of the music is not necessarily its main focus. It features 20 recordings made inside the Zomba Maximum Security Prison in Malawi, where most people are held for life, their ‘crimes’ ranging from murder to witchcraft, and where children born within the walls must remain until their mother’s release. But in their music, their status as prisoners (or, on occasion, prison officers) seems less significant: the album is a document of ordinary people, singing their own songs. Some sing gospel, some repentances, warnings, stories; some are guitarists, bassists or drummers. The music and song on offer here is of an understandably varying quality – these are by and large not musicians, but people brought together and surviving together.
As the whole album only comes in at a little over 30 minutes long, there are quite a few very short tracks here, and many fade out, leaving one wanting for the full piece. A stand-out example of this is the intense, all-female percussion track ‘House of the Dance’: it’s a shame that we only get to hear 16 seconds of it, especially as six hours of material were recorded altogether.
This collection brings to mind old ethnomusicological field recordings; they feel very in-the-moment and the recordings seem to exist to preserve the memory of the culture represented. With this, however, there also comes a slight uncomfortable feeling of the ‘higher power’ of the neutral (Western) producer. The material was recorded and produced by Ian Brennan, who does seem to have a knack for finding projects with world-music-friendly ‘stories’ (he’s also produced the Malawi Mouse Boys and the Good Ones) but this album does have the chance of achieving change. Resulting funds and awareness from this release are already helping those of Zomba Prison, as three women have already been released and three more having their sentences reviewed as a result.
