First published in fRoots issue 383, May 2015
Mohamed Abozekry & Heejaz Extended
Ring Road
Full Rhizome/Jazz Village (75 mins)
Born in Egypt and living in France, the young oud player Mohamed Abozekry is not content to play only the traditional repertoire of his instrument. Instead, with the rest of his quintet Heejaz Extended – saxophones, piano, double bass and hand-percussion – he uses his instrument to initiate a whirlwind of international jazz.
All in all, the ensemble takes as much influence from Indian music as it does Arabic, Abozekry’s oud even resembling a sarod on occasion. There’s also elements from around the world: a couple of pieces are based on Cuban grooves; Ethiopian scales sneak their way into the occasional solo; and a qawwali-esque harmonium illuminates the second track, ‘Messages’.
Through all this, the one thing that remains a constant is the jazz. The styles that come to mind on the album are those of the classic late-50s/early-60s masters. You can hear Miles Davis in the harmonies, Horace Silver in the melodies and a haunting of John Coltrane throughout. Whether in the driving energy of a head or a quiet but tense, ballad-like section, the legacies of the masters come before feel respected and palpable.
Although the album is made up solely of Abozekry’s wonderful compositions and with his name on the front of the cover, it’s not his oud that takes precedence on this album; all the instrumentalists are involved in an equal way. This lets the group rid itself of the often-mishandled ‘fusion’ label and allows the music to be what it is – exciting jazz that is expertly crafted, well-executed and that will take your ears on a trip around the world.