Tuesday 16 February 2016

Dizu Plaatjies and Friends - Ubuntu: the Common String

First published in fRoots issue 393, March 2016

Dizu Plaatjies and Friends
Ubuntu – The Common String
Mountain Records (58 mins)

As one of South Africa’s foremost ‘world music’ exports, an expert in the musical bow and many of his country’s traditional styles, Dizu Plaatjies is a musician who constantly strives to evolve his sound. This has led to the creation of this ‘and Friends’ album, exploring other sounds with the help of his guest musicians.

In this album, Plaatjies is once again backed by his Ibuyamba Ensemble (the band he formed after leaving the legendary Amapondo), but the sound is more formed by and focussed on the many guest musicians that he introduces, including South African classical guitarist Derek Gripper (most well-known for his transcriptions of kora pieces for guitar) and French jazz group L’Arbre Canapas.

The idea of Ubuntu is commonality, and it’s not a huge surprise that this album strives towards the pan-African. The end result is actually more pan-Southern African, although his guests provide very occasional influences from more northerly climes such as Uganda and the Mandé region.

Quite a few of the tracks here are very repetitive – and not in a trancey, circular fashion that drags you in, either. These include the opener 'Bantu Biko', which repeats the same few lines for more than four minutes and is not the best advertisement for the rest of the album. The repetition comes back with the obligatory song to Nelson Mandela, 'Mandela Afrika', a self-consciously ‘epic’ sounding track that feels a bit cheesy and out-of-place.

However, despite a few weak tracks, there are definite highlights on the album that do redeem to some degree. The maskandi-with-mbira 'Langa Ola' and the dripping-with-blues 'Phalisa', both featuring the 12-string goodness of guitarist Nthombi Thongo are prime examples, and the Derek Gripper-led 'Ukuzu kwe Langa' is particularly beautiful.

There are definitely more enjoyable tracks than not here, although there are quite a few pieces that seem less polished than they could be. It leads to an overall average-to-good album, which may stand up better to listening and downloading instead.