Monday 29 October 2012

Various Artists - Orient Noir: A West-Eastern Divan

First published on Musika.uk.com in October 2012.


Various Artists
Orient Noir: A West-Eastern Divan
Piranha Musik (64 mins)

The first two tracks of this compilation work effectively as its mission statement, with French band Watcha Clan’s brooding Jewish-and-Electronica opener blending seamlessly with Salwa Abou Greisha’s mix of Egyptian classical music and Nubian song.

And so the album goes. Orient Noir brings together music from around the Arabic cultural sphere and the Jewish diaspora. Genres featured range from the classical to the modern, including fusions with dubstep, Latin and Balkan music, amongst others. Although the album seems to have the vague structure of moving from older to newer styles as it progresses, the latter seem to take more of a precedence.

The stand-out track of the album is ‘Pakistani’, a Zanzibari piece performed by ‘Queen of Taarab’ Bi Kidude Baraka. As well as the fusion of Egyptian classical music with East African styles that is taarab, this example also uses a strong tango influence, much akin to the Arabic string orchestras of Beirut and Damascus. Another highlight is the full version of Watcha Clan’s cover of Ofra Haza’s ‘Im Nin'Alu’, in which they effortlessly combine Sephardi vocals, Balkan brass and Arabic percussion with a grounding of dubstep bass and beats.

That such contrasting tracks can sit together on an album pleasingly and without jarring is a testament to the skills of the compiler, Dr. Bertram Nickolay. However, while the tracks of the album and their position in relation to each other create an enjoyable and interesting listen, the compilation itself seems to lack focus. If the goal was to highlight and celebrate the similarities between Arabic, Jewish and Balkan music, then tracks such as Maurice el Médioni’s Maghrebi Latin track ‘Ya Maalem/Kelbi Razahi’ fit somewhat uneasily with such aims; similarly, if a Mediterranean journey was intended, then the offerings from Bi Kidude and The Klezmatics undermine this.

Overall, for a pleasant album of great music with an ‘oriental sound’ (whatever that somewhat troubling term may imply), this compilation hits the spot. Just don’t think about it too much.