Thursday, 10 May 2018

UK Festival Guide 2018

First published in Songlines Magazine issue 138, June 2018. Copy deadline 16 April 2018.



May 4-7
Alchemy Festival

Southbank Centre, London
www.southbankcentre.co.uk/whatson/festivals-series/alchemy

The Southbank Centre’s festival of South Asian arts and culture is booked around a central theme each year: this year, the focus is on home-grown talent. Art of all sorts is on display from prominent and up-and-coming British Asian creatives, with literature readings, comedy, classical and contemporary dance performances and workshops. Music comes from Talvin Singh performing his breakthrough album OK and India’s premier ska band the Ska Vengers. Shaanti, Birmingham’s ground-breaking Asian underground nightclub turned all-encompassing arts foundation, also hosts a day of free events charting the cutting edge of British Asian live and electronic music.

May 11-22
Norfolk and Norwich Festival
Various venues in Norfolk
www.nnfestival.org.uk

Tracing its roots back to the 18th century, the Norfolk and Norwich Festival can count itself as one of the UK’s elder statesfestivals – but its line-up is as new and exciting as ever! There are 33 concerts of classical and contemporary music this year among all manner of performing arts. As well as orchestras, operas, cathedral choirs, new-generation jazz and gospel stars-in-waiting, the world music line-up is full of big hitters such as Ladysmith Black Mambazo and Talvin Singh as well as introspective Syrian qanun from Maya Youssef and a Karnatic twist on Bollywood bangers from Jyotsna Srikanth and the Bollywood Brass Band.

May 24-27
Orkney Folk Festival
Various venues, Orkney, Scotland
www.orkneyfolkfestival.com

For four days, the islands of Orkney are filled with folk from Scotland and beyond for the Orkney Folk Festival. There are around 30 ticketed events in venues all over the islands, from artists such as Québecois Celtics Le Vent du Nord and ancient hypno-folk duo Kate Fletcher and Corwen Broch. But if you only go to the concerts, you’re doing it wrong! There’s a heavy emphasis on amateur music: with loads of sessions in the pubs for all to join – including the occasional member of folk royalty – as well as open stages, floor spots and sing-arounds, there’s plenty of opportunities for everyone to join the bill.

May 24-27
Knockengorroch World Ceilidh
Knockengorroch, Scotland
www.knockengorroch.org.uk

Held in a breathtaking valley in south-west Scotland, the Knockengorroch World Ceilidh has grown from a small folk gathering to an all-encompassing celebration of world music. The festival turns 20 this year, but its message has remained the same: party among the hills and bring music to the air, always as a way to pay respects to the natural wonder of our land. Expect highlights from globetrotting Jurassic 5 OG DJ Cut Chemist, Malian female supergroup Les Amazones d’Afrique and the original line-up version of Transglobal Underground featuring Natacha Atlas.

June 1-2
Field Day
Brockwell Park, London
www.fielddayfestivals.com

Field Day crosses the river for its first year in its new home of Brockwell Park in South London. The city’s local festival is well-known for its wide-ranging and high-quality mix of the hottest artists from the left of mainstream, and world music always gets a solid look in. This year sees Erykah Badu headlining with her only UK date this year, and artists from Princess Nokia to Nils Frahm billing alongside Oumou Sangaré and Hailu Mergia. A pioneering collaboration between Afrobeat legend Tony Allen and techno innovator Jeff Mills is not to be missed.

June 7-17
Festival of Voice
Various venues, Cardiff, Wales
www.festivalofvoice.wales

After the Festival of Voice was held in 2016 to great success, they’ve decided to do it all over again in 2018! Organised by the famous Wales Millennium Centre in Cardiff, they’re acutely aware of their surroundings: the whole concept is a celebration of Wales’ history as a land of song and storytelling. The festival is consciously not restricted to any style, so there’s plenty of worldwide music, spoken word, talks and other mouth art. Highlights include punk goddess Patti Smith, Corsican polyphonists A Filetta and Songlines favourite Angélique Kidjo reinterpreting the Talking Heads’ classic album Remain in Light.

June 16-17
Africa Oyé
Sefton Park, Liverpool
www.africaoye.com

A feast for the eyes, nose, taste buds and, of course, ears – and it’s free for everyone! Africa Oyé brings the best in African and Afro-diasporic music to Liverpool’s Sefton Park. It started as a local event in 1992, and although it’s now visited by more than 40,000 people from around the country (and world) every year, it still retains a unique community vibe. It doesn’t get more Scouse than Oyé! The 2018 line-up so far includes Gambian kora maestra Sona Jobarteh and Bissau-Guinean protest singer (and Joss Stone collaborator) Binhan as well as the ‘Bad Boys’ of reggae Inner Circle taking the traditional Sunday night Caribbean headline slot.

July 5-15
Liverpool Arab Arts Festival
Various venues, Liverpool
http://www.arabartsfestival.com

The Liverpool Arab Arts Festival brings a whole range of culture from all across the Arab world to the city. Presenting films, art exhibitions, theatre and literature as well as music and dance, the festival is held in venues around the city including a free-entry family day in the wonderful palm house in Sefton Park. The festival’s 2018 representatives of the musical arts stretch from Morocco’s Simo Lagnawi to TootArd of the Golan Heights, with Emel Mathlouthi (Tunisia) and recent Songlines cover stars 47SOUL (Palestine) along the way.



July 13-15
Tropical Pressure
Mount Pleasant Eco Park, Cornwall
www.tropicalpressure.co.uk

How far do you reckon you can travel from Cornwall in a weekend? With the help of Tropical Pressure, you can head somewhere else every day – Latin America one day, Africa the next and the Caribbean on the Sunday to wrap things up. There’s 100% veggie culinary flavours go alongside the 100% danceable musical ones, and it’s all held in an Area of Outstanding Natural Beauty. Back in 2016, our reviewer called Tropical Pressure ‘a sure-fire way to put a smile on your face,’ and we’re not sure they’ve stopped smiling yet…

July 15
Folk By The Oak
Hatfield House, Hertfordshire
www.folkbytheoak.com

2018 will be the 11th year of Folk By The Oak, and it’s already an institution. It’s only a few miles out of the M25, but this ain’t London. Set in the grounds of Hatfield House, the festival is just a one-dayer (no camping required!) but they manage to pack in a whole bunch. Already confirmed for this year are the ‘Bard of Barking’ Mr Billy Bragg, the outstanding Celto-Senegalese harp-kora duo Catrin Finch and Seckou Keita and more. There’s not too many better places for a picnic!

July 18-21
HebCelt
Stornoway, Outer Hebrides
www.hebceltfest.com

You’re out on the Isle of Lewis, in the grounds of the magnificent Lews Castle with views of Stornoway harbour below. What do you do? Have a festival of course! Luckily for us, that’s exactly what HebCelt thinks too, and they can be equally proud of their stunning location, loving community and top-quality music. As the name may suggest, the main focus is on Celtic folk, so there’s plenty of Scottish artists appearing as well as international connections from Yves Lambert and Vishtèn from Canada. Not that it’s all folk: headliners include Deacon Blue and the Fratellis.

July 19-22
Larmer Tree Festival
Larmer Tree Gardens, Wiltshire
www.larmertreefestival.co.uk

It’s a triumphant return for the Larmer Tree Festival! After taking a year out last year, they are back with a bang and still within the wonderful peacock-strewn Larmer Tree Gardens – it’s surely a contender for the most beautiful festival site in the UK. Musical offerings include Malian rockers Songhoy Blues, English folk troubadour Chris Wood and gothic blues singer Amythyst Kiah, as well as many alt-folk and folk-alt discoveries and a special stage curated by tUnE-yArDs. The many comedy, spoken word and roving theatre performances are also a highlight.

July 20-22
Underneath the Stars Festival
Cinderhill Farm, Cawthorne near Barnsley
www.underthestarsfest.co.uk

Underneath the Stars is a Kate Rusby album, isn’t it? Yes – and it’s also the festival organised by her own production company, held just down the road from her native Barnsley. 2018 means a new venue for the festival, although they’ve only moved to the other side of the village. Kate is at the top of the bill, of course, alongside Steve Earle, Lau and the Ukulele Orchestra of Great Britain. Other interesting prospects are Estonian/Flemish quartet Estebel and nu-classical composer and violist John Metcalfe.

July 26-29
WOMAD
Charlton Park, Wiltshire
www.womad.co.uk

The grand matriarch of world music festivals continues to provide music, arts and dance of unparalleled quality and diversity. The line-up is far from complete yet, but it’s already bulging with exciting prospects, from world music legends Amadou and Mariam and Amparanoia to intriguing stars-in-waiting such as Palestinian/Syrian pianist Aeham Ahmed, Franco-Colombian math-rockers Pixvae and Malawian babatoni (giant one-stringed bass) player Gasper Nali. You can also learn your way around the world with artist workshops, cooking sessions and poetry for the adults and oodles of crafts, sciences demonstrations and the Sunday carnival for kids.

July 27-29
Lunar Festival
Umberslade Farm Park, Tanworth in Arden
www.lunarfestival.co.uk

Named after an 18th century brains trust/dinner club, you may guess there’s something a little different about the Lunar Festival. The festival is guided by seven main principles – listen, learn, move, create, taste, relax and laugh – you can do them all in abundance. To get your brain in gear there’s a load of talks and workshops to help you learn how to grow your own medicinal mushrooms, how to make baskets out of brambles and how to be a Shakespearean actor. Music includes UK jazztronauts the Heliocentrics and The Unthanks singing the songs of Molly Drake.

August 2-5
Cambridge Folk Festival
Cherry Hinton Hall, Cambridge
www.cambridgelivetrust.co.uk/folk-festival

Folk has always been about more than just what is on our doorstep, and the Cambridge Folk Festival has known that since its beginnings in 1965. British folk is still very much on the menu (Eliza Carthy, Kate Rusby), but so are American folk traditions (John Prine, Rhiannon Giddens, Peggy Seeger) as well as combinations and confluences from around the world (Tuareg indie rockers Tamikrest, Scottish electro-punk folkies the Peatbog Faeries). Look out for special stages showcasing young musicians and guest curation from Giddens herself.



August 9-12
BoomTown
Nr Winchester, Hampshire
www.boomtownfair.co.uk

BoomTown is a world within our world. With an absolutely immense line-up that barely fits in on 25 main stages (with plenty other smaller ones to discover), it’s not an exaggeration to say that there’s something for everyone. Classic reggae? Jimmy Cliff is here. Irish folk? You want to see Lankum. Electro-acoustic sitar jazz? Check out Shama Rahman. Nu metal? Limp Bizkit got you covered. This year the tenth chapter of the BoomTown story will be written, an epic tale of discovery, alien contact and rogue AI – get swept up in the mythos and make your mark!

August 17-19
FolkEast
Glemham Hall, Woodbridge, Suffolk
www.folkeast.co.uk

When people talk about a festival, the atmosphere is often the thing that stands out – the FolkEast atmosphere is like English folk culture distilled. As well as well-known names in folkland (Show of Hands and Oysterband), there are young stars (Greg Russell & Ciaran Algar, Will Pound) and many stalwarts of the local Suffolk scene. Add to that ceilidhs, Morris teams, sessions, storytelling, real ale and stages in a natural amphitheatre and the local church, FolkEast is the place to reconnect with the roots of this land.

August 24-27
Shrewsbury Folk Festival
West Midlands Showground, Shropshire
www.shrewsburyfolkfestival.co.uk

Shrewsbury Folk Festival aims to explore the breadth of musical folk traditions. An exciting line-up includes Richard Thompson in his electric guise and Best Newcomer in the 2017 BBC Folk Awards Daoirí Farrell; there’s also specially-programmed dance bands to get your ceilidh on to, including Blowzabella celebrating their 40th year of drone-heavy folk. 2018 also provides the culmination of the ‘Room For All’ initiative that was launched last year, evident in an increasingly international line-up: highlights include pan-worldly collective Rafiki Jazz and a collaboration between two masters, Chinese dizi flute player Guo Yue and Japanese taiko drum extraordinaire Joji Hirota.

August 24-27
Towersey Festival
Thame Showground, Towersey, Oxfordshire
www.towerseyfestival.com

Starting life as a humble village folk gathering in 1965, Towersey Festival is still family-run to this day, but it’s now evolved into one of the biggest dates in the calendar. Folkies will rejoice in some top talent including The Rheingans Sisters and Martin Simpson, and excursions can be had with Soothsayers’ funky reggae party and The Brickwork Lizards’ Arabic-gypsy jazz-chamber hip-hop mix-ups. There’s many extramusical goings-on over the weekend too, with crafts, workshops and activities (don’t forget the roller disco!) for kids, teenagers and the otherwise young-at-heart. Remember to check out the Music Café, a new venue for 2018 that provides an informal space for jams with instruments or scones.

September 21-30
London African Music Festival
Various venues, London
www.joyfulnoise.co.uk/festival-history

There’s no fooling with this one – it’s a festival of African music in London. By the end of September, what better time to squeeze the last out of the summer rays than with some sunny music? The London African Music Festival brings some of the biggest names from across the continent (and closer to home) to venues across the capital. No line-up announcements as of yet, but last year saw sets from Sudanese retro-pop outfit Alsarah & the Nubatones, highlife pioneer Pat Thomas and star of Afro-Cuban jazz violin Omar Puente – expect similar quality for the 16th edition this year.

September 22-23, October 25-28, November 24-25
Darbar Festival
Various venues, London
www.darbar.org

Held across three weekends in three months and in three venerable arts institutions – the Southbank, the Barbican and Sadler’s Wells – this is a festival that just keeps on giving. The focus is on the wide range of classical music from around India; Darbar is a welcoming experience whether you’re a deep disciple of the styles or if you’ve never experienced Indian music before. Not all of the concerts have been announced yet, but there are some tantalising double-bills already on the cards. The highlight must surely be the concert by the ‘queen of Indian classical’ Parveen Sultana and one of the greatest living sitarists Shahid Parvez; fireworks should also be expected from the pan-Indian concert of sarodiya-to-the-stars Soumik Datta representing Hindustani tradition, and vocal duo the Malladi Brothers representing the Karnatic.

October 18-21
Manchester Folk Festival
Various venues, Manchester
www.manchesterfolkfestival.org.uk

After a storming first edition last year upon its move from Bury, the Manchester Folk Festival is already held in high regard and eagerly anticipated. The crowd-pullers are in good supply with Lindisfarne, Catrin Finch & Seckou Keita and Spiro all on the bill this year. But connected as the festival is with the English Folk Expo, the real draws are the lesser-known artists – worldwide members of the folk industry will be milling about all week looking for the perfect artist to make a star. Catch them here and you can say you knew them before they were famous!

October 19-21
Musicport Festival
Whitby, Yorkshire
www.musicportfestival.com

It began as a one-off event in 2000, but it went so well, they decided to keep doing it for another 18 years! Musicport is an increasingly year-round affair (they’ve just concluded a new festival of Musicport on the Moors in May) but it all leads up to the festival in October. The earliest inklings of line-up include Malian bluesman Vieux Farka Touré, feel-good UK reggae singer Natty and Huddersfield folkies O’Hooley and Tidow. For the third time, some of the festival’s performing artists will go on a tour of the towns and villages of Yorkshire in the days after the festival proper, bringing the music to the community.

January 17-February 3 2019
Celtic Connections
Various venues, Glasgow
www.celticconnections.com

Always in hot contention for the earliest festival of the year, Celtic Connections is also one of the biggest and most well-renowned. The festival is made up of over 300 concerts every year, and while the spotlight may be on Celtic folk traditions, the line-up is anything but homogenous. There’s no word on artists for 2019 just yet (fair enough) but we know that it will be packed with the most exciting folk and roots musicians from every continent, and many ground-breaking and perhaps unexpected collaborations that are Celtic Connections’ forte.


Photos from top: Larmer Tree Festival 2016, by PhoebeReeksPhotography; BoomTown 2017; Knockengorroch World Ceilidh 2017, by Stevie Powers.

Friday, 6 April 2018

Songlines Gig Guide: On Tour April - May 2018

First published in Songlines Magazine issue 137, May 2018.



A Hawk and A Hacksaw
On the back of their seventh album, Forest Bathing, the Albuquerque, New Mexico-based duo start with Balkan music and explore its connections with Turkey, the Middle East and beyond. Much like their album’s title, A Hawk and a Hacksaw evoke the anti-urban, taking their audiences on a sonic walk through the fields and trees. Usual-accordionist (and former Neutral Milk Hotel drummer) Jeremy Barnes swaps the squeeze for the jangling of the Persian santur (hammered zither) while Heather Trost’s violin sweeps across telling all-acoustic instrumental stories.

Ímar
Ímar is what happens when a folk session goes really right. The band is a truly cross-Celtic collective, its five members hailing from Scotland, Ireland and the Isle of Man. They all have past pedigree, too: they have armfuls of awards between them, and the individual musicians are variously part of some of the most exciting young folk groups of the last decade – think Talisk, Mabon, Rura and more. Expect traditional Irish tunes with a Scottish twist, newly-composed Manx and Scots tunes, and any other mix designed to get you on your feet.

The Turbans
You can’t pin an identity on this gang. The Turbans are a stomping seven-piece that sound like Eastern Europe swinging the Middle East around by the arm in the middle of a raucous party. The members have their roots in Turkey, Bulgaria, Israel, Iran, Greece, Spain, Tunisia, Morocco and the UK, and their time is usually split between the streets of London and the beaches of Goa. You can bet they bring all that and more to their gigs, along with a big bunch of noise.

Toko Telo
Three highly respected musicians in their own rights join forces as a Malagasy supertrio combining Madagascar’s classic pop styles such as tsapiky and salegy with flecks of soul and jazz. The interweaving and overlapping guitars of veteran D’Gary and acclaimed jazzman Joël Rabesolo provide the context for the soaring, soulful voice of Monika Njava. The shows will no doubt also serve as a loving musical tribute to Malagasy accordion legend and original Toko Telo member Régis Gizavo, who passed away in July 2017.

Väsen
Having started their year with a sell-out show at Celtic Connections, the veteran Swedish trio are travelling all the way down from Shetland to Shoreham-by-Sea, bringing their many-stringed take on the polska to delight as they go. Nyckelharpa, twelve-string guitar and five-string viola combine with a joyful ease, drawing on deep roots and occasional excursions into classical music, jazz and American folk. 27 years of performing together has earned Väsen virtuosic skill and almost telepathic bandsmanship, and their status as Sweden’s premier guardians and innovators of instrumental music is well-founded.


Photo: A Hawk and a Hacksaw, by Louis Schalk.

Ebo Taylor - Yen Ara

First published in Songlines Magazine issue 137, May 2018.

Ebo Taylor
Yen Ara
Mr Bongo (41 mins)

Ebo Taylor has been doing his stuff for more than 60 years now, so he knows how to make an album to get you on your feet. With Yen Ara, he continues to bring a unique blend of highlife and Afrobeat, adding handfuls of disco, jazz and reggae into the mix too.

Taylor’s hand-picked Saltpond City Band are as tight as anything. It’s all about that rhythm section: guitar, keys, bass and konkoma-style percussion and drums intertwine, weaving a musical weave for the punchy horns and Taylor’s aged vocals to dance across.

There’s a real ‘rare groove’ sound to this album – it feels like it might have been dug out from a long-forgotten record crate in Accra. Thanks go in part to the sympathetic production of world music adventurer and Robert Plant guitarist Justin Adams, whose hand is often subtle but not afraid to add some spice when appropriate.

Yen Ara lacks some of the innovation that Taylor has been known to provide – the tracks on offer could equally have come from any of his latest few albums. But they were great albums. So don’t expect anything ground-breaking, but if you like Ebo Taylor, you’ll love Yen Ara.

Thursday, 1 March 2018

Spotlight: Awesome Tapes from Africa

First published in Songlines Magazine issue 136, April 2018.



Downloads and streaming are king. CDs are holding on and vinyl is still enjoying its resurgence. So who’s flying the flag for the humble cassette? That would be Awesome Tapes from Africa. ATFA is a many-headed beast – online digital archive of music, record label for obscure re-releases and exciting new material, unique DJ sets…but it all comes back to the eponymous awesome tapes. Keeping it all together behind the scenes is Brian Shimkovitz.

The adventure started during a 2002 study-abroad period in Ghana, where cassettes were the prime currency of music exchange. Shimkovitz amassed tapes of all sorts, from traditional to popular and the most left-field recordings he could find. Even back in the US, he continued to pick up interesting African cassettes wherever he could, eventually starting the ATFA blog in 2006 to showcase just some of this rare, wonderful music. As the blog’s tagline proclaims, ‘this is music you won't easily find anywhere else—except, perhaps in its region of origin.

The blog now contains hundreds of tapes from all over the continent, from rare, domestic-only releases by world music superstars to artists that you’d be hard-pressed to find, even if you knew what you were looking for. It wasn’t long until the idea formed to create a label to re-release some of these hidden gems. It blossomed, and since 2011, ATFA has released 15 full-length albums of reissues and original material, plus a bunch of EPs and remixes, featuring artists from Mali, Ghana, Somalia, Ethiopia, South Africa, Senegal and Eritrea.

The label doesn’t have a signature sound, but it certainly has a signature quality. Out of his collection of thousands, how does Shimkovitz pick the perfect albums to release? “It has a lot to do with just trying to find challenging music that other labels wouldn’t produce,” he says. “Mostly it’s to do with whether it seems like a crucial thing that isn’t otherwise available, or if it’s an important statement and a relevant or interesting way to look at a place.

Summing up the ATFA philosophy, Shimkovitz says it’s “not really trying to do the hippest or trendiest stuff, never doing compilations, just letting the artists’ work speak for itself.” And so, Shimkovitz himself plays no real creative role in the label’s releases: the reissues are presented in exactly the same way as the original (including tape-hiss and original artwork), and if they’re recording a new album, the artist makes it exactly how they want, and get half of all profits, too. This is the way that ATFA has helped to revive careers (such as Hailu Mergia, the Washington DC taxi driver whose latest record, Lala Belu, is an Ethiojazz tour de force) and launch new stars (Ata Kak’s proto-techno-highlife-rap was little known even in his native Ghana – now he tours the world).

For Shimkovitz, it’s all a case of so much music, so little time: “There’s so many sounds that I want to focus on, different movements, different folkloric traditions. I always have so many plans to deal with.” With a bunch of new tapes of traditional, electronic and even country music ready to be reissued this year, there’s plenty more Awesome Tapes From Africa still to come.

Hailu Mergia - Lala Belu

First published in Songlines Magazine issue 136, April 2018.

Hailu Mergia
Lala Belu
Awesome Tapes from Africa (39 mins)

After reissuing three of Hailu Mergia’s classic albums to great success, Awesome Tapes from Africa have got the veteran Ethiopian jazz musician and full-time cab driver into the studio and produced his first new album for 15 years. And it’s a stonker.

Lala Belu is a great Ethiojazz album, but it’s also a great jazz album, full stop. It’s all played by a trio, with Tony Buck on drums, Mike Majkowski on bass and Mergia on all manner of keyboards – accordion, piano, organ, synths, melodica, you name it – but various overdubs give the ensemble the sound of a hard-driving sextet.

There’s all sorts in here, from cool soul-jazz at the beginning, dub excursions and Herbie-like synth spirals in the middle, and with a lovely piano solo piece at the end. The highlight is ‘Anchihoye Lene’, which starts laying down a deadly groove before Mergia’s organ takes it all the way to downtown Addis Ababa.

Considering all that, the title track itself is a bit of a let-down. It’s a bit cheesy with its la-la-la-ing and solos that don’t have the same level of excitement as the other tracks. Never mind, though. The rest of the album is a blast – dig it!

Mpho Majiga - World Affairs

First published in Songlines Magazine issue 136, April 2018.

Mpho Majiga
World Affairs
Africantunz Records & Promotions (51 mins)

Mpho Majiga is a South African gospel singer with a disco vibe. This is his fifth album, and World Affairs, as its title suggests, deals with big issues – songs encourage listeners to ‘say no to terrorism’ and to help victims of Ebola.

The first impression of the album is MIDI-tastic – so many synthesised xylophones and programmed cowbell’n’claps. It gets less drastic the further through the album you get, but whether that is because it gets more tasteful or your ears just get used to it, I’m not really sure.

Across the seven unique tracks and a handful of remixes and reprises, Majiga’s music is pretty much standard Afrogospel-pop but with less proselytising. It’s very cheesy and the musicality is not always perfect, but I have to admit it is rather charming. A lot of the tracks are fun and feel-good (slip the reggae remix of ‘Dream of Peace’ into your Summer 2018 playlist for smiles) and the best is saved till last, with a house remix of the track ‘Help’.

If you like cheery, cheesy gospel and don’t mind a couple of questionable harmonies or MIDI instruments, maybe give this a shot.

Friday, 26 January 2018

Gili Yalo - Gili Yalo

First published in Songlines Magazine issue 135, March 2018.

Gili Yalo
Gili Yalo
Dead Sea Recordings (41 mins)

Gili Yalo’s love of singing was learnt through hardship. As a five-year-old, he escaped the Ethiopian famine on foot. Music made the journey more bearable. Eventually settling in Tel Aviv, Yalo surrounded himself with funk, soul and dub. On this debut album, all those sounds come together with a large helping of Ethiopian groove.

The cover art says it all: this is one cool album. The whole thing has a strut to its step. With Yalo singing in both Amharic and English, his band cook up a whole range of retro flavours, from golden-age Ethiopian horns and old-school synths to that classic R’n’B rhythm section sound.

It doesn’t turn into a heard-it-all-before fusion, either. At some points the Ethiojazz vibe is strong (the instrumental ‘Tadese’ would be at home on a Mulatu Astatke album); elsewhere it feels like straight-up Afrobeat. When all the elements coalesce, it becomes really special. Look no further than the track ‘Coffee’ – Yalo’s blues-bar-in-Addis vocals run the show, while krar lyre duels with Ali Farka Touré-style guitar over piping-hot soul funk, all to an eskista rhythm.

What a fantastic album. Play it loud and you’ll feel like the coolest person alive – after Gili Yalo, of course.